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In addition to the usual collection of stills and promotional materials, it also includes many signed items from Art Ettinger’s personal collection. There’s also an Easter egg that can be accessed by choosing the scene selections, scrolling to chapter 10, and pressing the up arrow. It’s a brief clip of Karoline Mardeck, who played Alex’s rape victim during the opening scene, and who happened to be married to David Hess at the time. Deodato Holocaust is a feature-length documentary by Felipe M. Guerra that was originally released in 2019. Deodato is front and center throughout, as the film primarily consists of interviews that the filmmakers conducted with him, interspersed with production stills, promotional materials, and clips from his films. Deodato tells stories about growing up, including the conflicting advice given to him by his parents, before talking about how he got into the film business.
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Alex throws Howard outside the back door, beats him viciously, and throws him into the pool. Laughing, Alex urinates on Howard and drags him back inside, tying him to a piano leg and proclaiming that he is running the party now. NEW YORK (NY Daily News) — A major uptick of muggings in Central Park — including three violent robberies within a 28-hour span — has left parkgoers on edge, wondering if they will be targeted next, visitors to the iconic greenspace say. Most of the Deleted Scenes are just as interesting as what made the final cut.
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The Man Who Loved Women is a new interview with Deodato, who explains how the production came together, and gives his own thoughts about the film. He initially almost hated it, and thought it was more shocking than Cannibal Holocaust, but started to love it once he saw all of the fan support. He also discusses the cast, the cinematography, the score, and the editing. Lights On is a new interview with Sergio D’Offizi, who talks about the locations, his use of lighting, his crew, and his respect for Deodato. Prairie Dog is an interview with the always voluble Giovanni Lombardo Radice, who relates how he got into acting, how he was hired for the film, and his stories from the shoot.
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The Special Features on the version that I own are interviews with those involved in the making of the film and an original theatrical trailer. After weathering the storm of controversy that followed the release of Cannibal Holocaust in 1980, director Ruggero Deodato followed it up quickly with House on the Edge of the Park (aka La casa sperduta nel parco) that same year. While the film reduced the level of graphic gore compared to its predecessor, it increased the levels of sexualized violence on display, generating plenty of controversy of its own. While it may have long been a center of the film industry and a cultural hub for the arts, it is also the second-largest city in the United States and the most populous metropolitan area in California. It’s not only home to Hollywood, Beverly Hills, and Santa Monica, but it also has some of the most iconic tourist attractions in the world.
Sometimes, it’s hard to tell if Ricky enjoys what Alex is doing, or is just going along for the ride with no choice in the matter. Mr. Hess is not really such a bad guy in all actuality. Anyways, enough about his good side, lets get back to the ruthless bastard that we all know and love to hate, the name of evil incarnate is Alex. When two low-lives gate crash a party, and are mocked by the posh hosts, they decide to get their revenge by subjecting the guests to various forms of torture and violence. Sometime later, Alex and his friend Ricky are closing up the underground garage where they both work, planning to go to a local disco. Before they can leave, a Cadillac pulls in with a young, well-dressed couple, Tom and his girlfriend Lisa, asking for help with their car.
This film has the following tropes:
Ricky then returns to the house with Gloria just as Alex forces Cindy to strip off the rest of her clothes and repeatedly slash her with his razor. At this point, Ricky changes his mind and attempts to stop Alex. Upset at being betrayed by his friend, Alex turns against Ricky, slashes his abdomen wide open, and then breaks down in regret.
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Tears-McFarlane House on Edge of Cheesman Park to Get an Update, Cafe Westword.
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He also discusses the other actors, the sexuality of the two criminals, and his own experiences with drug use. (He still insists here that his sex scene with Annie Belle was unsimulated, even though it clearly wasn’t.) He admits that he doesn’t hold anything back as an actor, and brings a lot of who he really is into his roles—take that as you will. House Sweet House is an interview with set designer Antonello Geleng, who gives his thoughts about the film after rewatching it for the first time in 40 years—he’s not entirely comfortable with it. He also talks about the compromises he had to make due to budgetary constraints.
They also examine the themes of the film, including the muddled nature of the class conflict on display, the seemingly consensual sex scene late in the film, and the ambiguous sexuality between Ricky and Alex. (They both feel that the ending is justified, so there you go.) They close by covering the theatrical and home video releases of the film, including the famous source of the theatrical print currently in circulation. It’s always interesting to hear a spirited defense of a film like House on the Edge of the Park, even if they won’t necessarily change many minds about it. House on the Edge of the Park is a horror-thriller film released in 1980 directed by Ruggero Deodato (Cannibal Holocaust).
The violence (although extreme) stays subtle and adds to the realism… Which I loved. There is slicing of the flesh with Alex’s straight razor and there is a little bit of sexual assault and forced sexual assault (not counting the opening rape scene, which is the reason for the party in the first place… Figure that one out on your own). Of course, you can’t go wrong with a sadistic bastard played by David Hess, so you know that part is taken care of. The score is Italian disco-ish dance music with a soothing voice throughout the feature.
But the city also has many cultural attractions that attract millions of visitors annually. Whether you’re a first-time explorer or an expert at outdoor activities, you can explore the local gems that make up this diverse metropolis. Keep in mind, here we have a film by Ruggero Deodato that stars David A. Hess. Yes, the Gore Score is going to inevitably going to be high. There is not too much graphic violence, such as heads flying or anything of the matter.
It’s easy to see why some of them were eliminated, as there really isn’t a natural place for them in the finished film, but others should probably have been left in—especially since Deodato Holocaust only runs a brief 71 minutes. Note that they aren’t encoded individually, and must be played as a group, but there is the option to chapter skip through them. It’s more like time to bail when two psychotics gate-crash a perfectly delightful get-together and turn it into a gore-fest with a huge body count. Directed by Ruggero Deodato, House on the Edge of the Park makes no pretense — it’s an exploitation flick complete with ritualistic torture. 59th St. and East Drive to practice his cello on the weekends.
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